{"id":17244,"date":"2021-01-16T11:23:37","date_gmt":"2021-01-16T19:23:37","guid":{"rendered":"http:\/\/occupysf.net\/?p=17244"},"modified":"2021-01-16T11:23:39","modified_gmt":"2021-01-16T19:23:39","slug":"screen-grabs-two-looks-at-black-legends-in-mlk-fbi-and-one-night-in-miami","status":"publish","type":"post","link":"http:\/\/occupysf.net\/index.php\/2021\/01\/16\/screen-grabs-two-looks-at-black-legends-in-mlk-fbi-and-one-night-in-miami\/","title":{"rendered":"Screen Grabs: Two looks at Black legends in \u2018MLK\/FBI\u2019 and \u2018One Night in Miami\u2026\u201d"},"content":{"rendered":"\n<p>As we prepare for Black History Month, new releases look back at the complex heroes who powered the civil rights movement.<\/p>\n\n\n\n<p>By <a href=\"https:\/\/48hills.org\/author\/dennis-harvey\/\">DENNIS HARVEY<\/a> (48hills.org)<\/p>\n\n\n\n<p>-JANUARY 14, 2021Dr. Martin Luther King in Sam Pollard\u2019s \u2018MLK\/FBI\u2019. Courtesy of IFC Films. An IFC Films Release.\u00a0<a href=\"https:\/\/48hills.org\/2021\/01\/screen-grabs-two-looks-at-black-legends-in-mlk-fbi-and-one-night-in-miami\/#\"><\/a><\/p>\n\n\n\n<p>The start of Black History Month may still be a couple weeks away, but needless to say there\u2019s plenty of reason to get a little ahead of ourselves in that regard, as recent years have in many respects seen the clock turned back on US race relations half a century or more. The civil rights movement certainly did create sweeping changes in American society, but as with so many other social shifts that kicked into overdrive in the 1960s, it\u2019s a mercy its proponents couldn\u2019t foresee the degree of reactionary pushback the then-distant future would bring. Weren\u2019t we supposed to be living in&nbsp;<em>2001: A Space Odyssey<\/em>? Instead, post-millennium \u2018Murrica keeps evolving towards something more like \u2026&nbsp;<em>The Purge<\/em>?&nbsp;<em>Network<\/em>?&nbsp;<em>Get Out<\/em>?&nbsp;<em>Idiocracy<\/em>?&nbsp;<\/p>\n\n\n\n<p>In any case, two new films releasing this Friday cast an instructive look back at major figures and events of the civil rights struggle that, needless to say, have as much relevance as ever these days.<\/p>\n\n\n\n<p>Actually arriving right on time (this being the long weekend of Martin Luther King Jr. Day) is&nbsp;<strong>MLK\/FBI<\/strong>, which is available now On Demand. This fascinating documentary by Sam Pollard, whose&nbsp;<em>Mr. Soul!<\/em>&nbsp;<a href=\"https:\/\/48hills.org\/2020\/08\/screen-grabs-get-a-funky-zap-from-mr-soul\/\">was also recently covered in this column<\/a>, delivers exactly what the title promises: A chronicle of how our government\u2019s primary domestic law enforcement agency monitored the activities of the era\u2019s most prominent racial justice activist for years before his 1968 assassination.&nbsp;<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"100%\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/5oLUkYgqXsU?feature=oembed&amp;enablejsapi=1\" allowfullscreen=\"\"><\/iframe><\/figure>\n\n\n\n<p>The extent to which Baptist minister King provided any \u201cthreat\u201d to national security that would justify such close FBI scrutiny\u2014eventually extending to outright harassment in various forms\u2014is highly debatable, of course. But the film makes clear how the agency\u2019s actions made internal sense within the general cultural context of the time, when (at least initially) far more Americans \u201ctrusted\u201d J. Edgar Hoover than supposed rabble-rouser King. And above all, those actions were driven by the reactionary conservatism, egomania, and malice of Hoover himself, who was in complete charge of a vast, secretive intelligence organization for an unprecedented 48 years. That was long enough for our society to undergo enormous changes \u2026 nearly all of which the FBI chief resisted, utilizing every dirty trick in the book.&nbsp;<\/p>\n\n\n\n<p>Entirely composed of archival visuals (there\u2019s some latterday audio interviews and commentary),&nbsp;<em>MLK\/FBI&nbsp;<\/em>uses recently declassified documents to reveal the extent of Hoover\u2019s underhanded hostility towards \u201cracial agitators\u201d in general, and King in particular. The Fed honcho probably really did believe civil rights advocates wanted \u201ccivil war between races\u201d\u2014though one might argue the FBI\u2019s skullduggery (here and later with the Black Panthers, et al.) only exacerbate tensions.&nbsp;<\/p>\n\n\n\n<p>King had already been under \u201cobservation\u201d by the agency for some time when the 1963 March on Washington and his \u201cI Have a Dream\u201d speech \u201cturned a Southern movement into a national and international\u201d&nbsp;cause celebre. An FBI memo promptly dubbed him \u201cthe most dangerous Negro in America.\u201d&nbsp;<\/p>\n\n\n\n<p>Hoover had long branded himself and his agency as crusaders against \u201ccrime and Communism;\u201d now he used suspicions of the latter to taint MLK\u2019s stature. King did have some key allies (notably progressive white lawyer Stanley Levison) with past ties to the Communist Party. But after being advised to do so (including from President Kennedy), he distanced himself from them. And as he\u2019s duly seen asking a TV interviewer here, what could testify more to Black Americans\u2019 patriotism than the \u201camazing\u201d fact that so&nbsp;<em>few<\/em>&nbsp;of them had embraced Communism, despite their treatment by our democracy?<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/48hills.org\/wp-content\/uploads\/2021\/01\/MLK-FBI-Still-1-1024x512.jpg\"><img decoding=\"async\" src=\"https:\/\/48hills.org\/wp-content\/uploads\/2021\/01\/MLK-FBI-Still-1-1024x512.jpg\" alt=\"\" class=\"wp-image-141472\"\/><\/a><figcaption>Dr. Martin Luther King in Sam Pollard\u2019s \u2018MLK\/FBI\u2019. Courtesy of IFC Films. An IFC Films Release.<\/figcaption><\/figure>\n\n\n\n<p>King is seen exhibiting the patience of Job over and over again, refusing to rise to the bait of loaded questions, his non-violent resistance even blamed for \u201cinciting\u201d white racist violence. His poise must have infuriated Hoover no end. Surely J. Edgar was apoplectic when this foe won the global approbation that came with his Nobel Peace Prize. Likewise when MLK came out against the Vietnam War\u2014something Lyndon B. Johnson took as a personal betrayal, and which many in the Black community (who felt King should stick solely to civil rights issues) found problematic as well.&nbsp;<\/p>\n\n\n\n<p>When the \u201ccommie\u201d thing didn\u2019t pan out, Hoover pushed agents to find dirt in King\u2019s private life, bugging nearly every place he might go. That included hotel rooms where he purportedly cheated on wife Coretta. It is amusing to see Hoover lying on camera, claiming the FBI almost never used wiretapping, and only in cases of treason or espionage \u2026 just as he was frantically trying to catch MLK in the private act of infidelity in order to publicly assassinate his character.&nbsp;<\/p>\n\n\n\n<p>The more literal kind of assassination on 4\/4\/68 curtailed that operation; a coda here notes that the voluminous tapes recorded won\u2019t be declassified until 2027, at the earliest. Will they tarnish King\u2019s legacy? Almost certainly not to the extent that his nemesis hoped\u2014though even the whitewash of Clint Eastwood\u2019s 2011 reclamation job&nbsp;<em>J. Edgar<\/em>&nbsp;couldn\u2019t put the shine back on the FBI\u2019s long-since-fallen fallen star, whose own peccadilloes are now painfully well-known.<\/p>\n\n\n\n<p>Based on the book&nbsp;<em>The FBI and Martin Luther King, Jr.: From \u2018Solo\u2019 to Memphis<\/em>&nbsp;by David J. Garrow,&nbsp;<em>MLK\/FBI<\/em>&nbsp;illuminates depths of surveillance and intimidation normally unseen outside exactly the kind of Eastern Bloc totalitarian states Hoover thought he was protecting us from. (His agency even penned \u201canonymous\u201d blackmailing letters in attempt to push King towards suicide.) Pollard manages the suspense of a spy thriller, using old movie\/TV clips to place these events in the cultural framework of Federal agents\u2019 romanticized popular images, as well as African Americans\u2019 scurrilous ones. (It is not ignored here that Hoover\u2019s plan to expose King as a philanderer would play on white society\u2019s deep-rooted terror of \u201cblack sexuality.\u201d) It\u2019s a completely absorbing, stranger-than-fiction tale\u2014though of course, our political realities have lately been occupying that zone 24\/7.<\/p>\n\n\n\n<p>Of considerably overlapping interest is&nbsp;<strong>One Night in Miami \u2026<\/strong>, esteemed actor Regina King\u2019s first directorial following several years\u2019 behind-the-camera TV work. Based on the 2013 stage play by Kemp Powers (also co-director\/writer on the current Pixar \u2018toon&nbsp;<em>Soul<\/em>), it\u2019s a fictive depiction of the 1964 evening in which Malcolm X, soul singer Sam Cooke, star NFL fullback Jim Brown, and the boxer then named Cassius Clay gathered in a hotel room to celebrate the latter\u2019s win over heavyweight champ Sonny Liston.&nbsp;<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"100%\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/K8vf_Cmh9nY?feature=oembed&amp;enablejsapi=1\" allowfullscreen=\"\"><\/iframe><\/figure>\n\n\n\n<p>That unexpected triumph puts the already-acquainted quartet in a party mood. But Malcolm (Kingsley Ben-Adir) is not about to condone the pursuit of alcohol or pussy\u2014despite his already being somewhat at odds with Nation of Islam leadership. In fact, he\u2019s called the others here for another reason he\u2019s slow to spell out, one that asks them to use their leadership status for common good, rather than basking in the glow of individual achievements.<\/p>\n\n\n\n<p>It\u2019s a somewhat argumentative summit of titans, with X acting as an often humorless scold towards Cooke (Leslie Odom Jr.), Brown (Aldis Hodge), and even recent Muslim convert Clay (Eli Goree), who just days later would announce he\u2019d rejected his \u201cslave name\u201d in favor of Muhammad Ali.&nbsp;<\/p>\n\n\n\n<p>Snapping \u201cYou bourgeoise negroes are too happy with your scraps,\u201d he berates them for insufficiently using their fame to lift up all African-Americans. This isn\u2019t necessarily what three deservedly healthy egos want to hear, or even deserve to. They push back, ennumerating their good deeds and pointing out Malcolm\u2019s own imperfections. Still, at this white-hot key moment in the civil rights struggle, each comes away with a renewed sense of socially-conscious purpose.&nbsp;<\/p>\n\n\n\n<p>Released in inconveniently close proximity to another African American historical imagining derived from the stage,&nbsp;<em><a href=\"https:\/\/48hills.org\/2020\/11\/screen-grabs-for-thanksgiving-movies-one-glam-turkey-and-a-swell-black-bottom\/\">Ma Rainey\u2019s Black Bottom<\/a><\/em>,&nbsp;<em>One Night&nbsp;<\/em>can\u2019t help looking less successful as an adaptation to film. The text is more didactic, the action (even) more theatrical. Though King manages to keep the protagonists out of that hotel room for half an hour, with some additional flashbacks and other digressions later on, we\u2019re always aware this is a dialogue-driven piece that might\u2019ve felt more at home in a proscenium.&nbsp;<\/p>\n\n\n\n<p>Yet despite its somewhat slow, artificial, and monotonous progress, the construct still has electricity, and the performances are strong\u2014even if the actors may not always feel like ringers for still very-well-remembered public figures. (Among which only Brown is still alive, at age 84.)&nbsp;<em>One Night in Miami \u2026<\/em>, which is available as of today via Amazon Prime Video, has the inevitable effect of an alternative Mount Rushmore come to life, trying to sustain mile-high legends while simultaneously reducing them to everyday scale. A certain amount of disbelief must be suspended just to absorb the lessons they\u2019re made to learn and teach in the narrow dramatic window provided. Nonetheless, King, Powers &amp; co. do succeed in making history (or something at least close to it) feel more immediate for two hours, as their protagonists weigh how to best hasten political change with personal commitment.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As we prepare for Black History Month, new releases look back at the complex heroes who powered the civil rights movement. By DENNIS HARVEY (48hills.org) -JANUARY 14, 2021Dr. Martin Luther King in Sam Pollard\u2019s \u2018MLK\/FBI\u2019. Courtesy of IFC Films. An IFC Films Release.\u00a0 The start of Black History Month may&#8230; <a class=\"continue-reading-link\" href=\"http:\/\/occupysf.net\/index.php\/2021\/01\/16\/screen-grabs-two-looks-at-black-legends-in-mlk-fbi-and-one-night-in-miami\/\"> Continue reading <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/posts\/17244"}],"collection":[{"href":"http:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/comments?post=17244"}],"version-history":[{"count":1,"href":"http:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/posts\/17244\/revisions"}],"predecessor-version":[{"id":17245,"href":"http:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/posts\/17244\/revisions\/17245"}],"wp:attachment":[{"href":"http:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/media?parent=17244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/categories?post=17244"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/tags?post=17244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}