{"id":17005,"date":"2020-12-30T11:43:31","date_gmt":"2020-12-30T19:43:31","guid":{"rendered":"http:\/\/occupysf.net\/?p=17005"},"modified":"2020-12-30T11:44:26","modified_gmt":"2020-12-30T19:44:26","slug":"in-aggie-a-100-million-inspiration-to-shrink-the-carceral-state-through-art-and-activism","status":"publish","type":"post","link":"https:\/\/occupysf.net\/index.php\/2020\/12\/30\/in-aggie-a-100-million-inspiration-to-shrink-the-carceral-state-through-art-and-activism\/","title":{"rendered":"In \u2018Aggie,\u2019 a $100 million inspiration to shrink the carceral state through art and activism"},"content":{"rendered":"\n<p>She sold her Liechtenstein to fight mass incarceration: New film documents one woman&#8217;s &#8220;philanthropy by justice not generosity&#8221;<\/p>\n\n\n\n<p>By <a href=\"https:\/\/48hills.org\/author\/emilywilson\/\">EMILY WILSON<\/a><\/p>\n\n\n\n<p>-DECEMBER 28, 2020 (48hills.org)<\/p>\n\n\n\n<p>When&nbsp;<a href=\"https:\/\/www.nytimes.com\/2018\/11\/03\/style\/agnes-gund-philanthropy.html\">Agnes Gund<\/a>, philanthropist and president emerita of the Museum of Modern Art, saw Ava DuVernay\u2019s documentary,&nbsp;<a href=\"https:\/\/www.netflix.com\/title\/80091741\"><em>13<sup>th<\/sup>,<\/em><\/a>&nbsp;about criminal justice and mass incarceration, she experienced a revelation. The movie so affected her that she sold her favorite Roy Lichenstein painting,&nbsp;<a href=\"http:\/\/lichtensteinpaintings.com\/masterpiece\/\"><em>Masterpiece<\/em><\/a>, and used $100 million dollars from the sale to start&nbsp;<a href=\"https:\/\/artforjusticefund.org\/\">Art for Justice<\/a>, which grants money to artists and activists working to reducing the prison population.<\/p>\n\n\n\n<p>For years people had told Gund\u2019s daughter, filmmaker Catherine Gund&nbsp;<em>(<\/em><a href=\"http:\/\/dispatchesfromcleveland.com\/about\"><em>Dispatches From Cleveland<\/em><\/a><em>,&nbsp;<\/em><a href=\"http:\/\/www.chavelavargasfilm.com\/\"><em>Chavela<\/em><\/a><em>,&nbsp;<\/em><a href=\"http:\/\/www.whatsonyourplateproject.org\/\"><em>What\u2019s On Your Plate<\/em><\/a><em>?)&nbsp;<\/em>that she should make a movie about her mother, a heavy hitter in the art world who started&nbsp;<a href=\"https:\/\/studioinaschool.org\/\">Studio in a School<\/a>&nbsp;in the 1970s, after funding for arts programs in New York City public schools was cut.&nbsp;<\/p>\n\n\n\n<p>Now she\u2019s made that movie<em>.&nbsp;Aggie<\/em>&nbsp;explores her mother\u2019s world view and commitment to social justice. Gund didn\u2019t just donate her money to the fund, Catherine says\u2014she encouraged other collectors and gallerists to do the same. She didn\u2019t want to ask artists, who are often asked to donate work, Catherine says. But people like&nbsp;<a href=\"https:\/\/www.mariangoodman.com\/artists\/51-julie-mehretu\/\">Julie Mehretu<\/a>&nbsp;and&nbsp;<a href=\"http:\/\/www.spacetimecc.com\/\">Mark di Suvero<\/a>&nbsp;made donations anyway.&nbsp; So did&nbsp;<a href=\"https:\/\/www.hauserwirth.com\/artists\/2838-mark-bradford\">Mark Bradford<\/a>&nbsp;after a group of people from Art for Justice Fund (Catherine is on the board, along with DuVernay), including formerly incarcerated artists visited his studio.<\/p>\n\n\n\n<p>\u201cIt was a beautiful watershed moment,\u201d Catherine said. \u201cWe were at his&nbsp;[Bradford\u2019s] wonderful studio with all those huge canvases sharing stories, and he was so blown away by them, he sold them all and raised $1 million. Art for Justice is different from a traditional charity. Like the Ford Foundation\u2019s&nbsp;<a href=\"https:\/\/www.fordfoundation.org\/about\/people\/darren-walker\/\">Darren Walker<\/a>&nbsp;says, it\u2019s philanthropy by justice not generosity. It\u2019s seeing a better world.\u201d<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"100%\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/3A1CzqUeQT4?feature=oembed&amp;enablejsapi=1\" allowfullscreen=\"\"><\/iframe><\/figure>\n\n\n\n<p>Catherine made the movie to document her mother\u2019s unique way of looking at things. At the beginning, she wasn\u2019t planning an entire film, just some taped conversations with her mom. That didn\u2019t go so well.&nbsp;<\/p>\n\n\n\n<p>\u201cI shot one, and it was really bad,\u201d Catherine said. \u201cI was bored. She was bored.\u201d<\/p>\n\n\n\n<p>So Catherine decided to have her four kids ask their grandmother some questions. That went better. Then friends, like Mehretu did some interviews as well. It\u2019s clear in the movie that Gund doesn\u2019t love talking about herself, so having her talk with artists and friends seemed like a good way into her life.&nbsp;<\/p>\n\n\n\n<p>\u201cHow did she leave the very wealthy suburban enclave of the Midwest were there were no expectations of her and she was belittled for being a women?\u201d Catherine said. \u201cI need to know how she got here. She sees the world through art, which allows her to entertain vastly different perspectives. It was clear to me that this was the way people would be able to see the prism of who she is. She\u2019s not so forthcoming. She spends most of conversations asking other people questions.\u201d<\/p>\n\n\n\n<p>The film covers Gund\u2019s upbringing in Cleveland as one of six children. She talks about being aware of injustice as a child and realizing her father didn\u2019t think women were worth much. We also see her in conversation with people like filmmaker&nbsp;<a href=\"http:\/\/www.dreamlandnews.com\/\">John Waters<\/a>, (the MOMA acquired a print of his&nbsp;<em>Pink Flamingos<\/em>),&nbsp;<a href=\"https:\/\/studiomuseum.org\/thelma-golden-director-and-chief-curator\">Thelma Golden<\/a>, chief curator and founder of the Studio Museum in Harlem, and artist&nbsp;<a href=\"https:\/\/davidcastillogallery.com\/artists\/xaviera-simmons\/\">Xaviera Simmons<\/a>, along with some of her 12 grandchildren.&nbsp;<\/p>\n\n\n\n<p>Starting Art For Justice was a radical act, Catherine thinks. But it\u2019s a part of who her mother is. Seeing&nbsp;<em>13<sup>th<\/sup><\/em>&nbsp;was a tipping point, she believes, and Art for Justice was a straight line from her Studio in a School, a way to value creativity and to ask children what they think instead of just asking them for the answer.&nbsp;<\/p>\n\n\n\n<p>\u201cMy son Kofi turned to me after he saw&nbsp;<em>Aggie<\/em>,\u201d Catherine said. \u201cHe said, \u2018If we\u2019d had studio in a school everywhere, we wouldn\u2019t have needed Art for Justice.\u201d<\/p>\n\n\n\n<p><em><strong>Aggie<\/strong>&nbsp;is streaming on Prime Video, iTunes, Vudu, and Google Play. A discussion&nbsp;<a href=\"https:\/\/aggiefilm.com\/the-guide\/\">guide<\/a>&nbsp;to some of the issues raised in the film is also available&nbsp;<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>She sold her Liechtenstein to fight mass incarceration: New film documents one woman&#8217;s &#8220;philanthropy by justice not generosity&#8221; By EMILY WILSON -DECEMBER 28, 2020 (48hills.org) When&nbsp;Agnes Gund, philanthropist and president emerita of the Museum of Modern Art, saw Ava DuVernay\u2019s documentary,&nbsp;13th,&nbsp;about criminal justice and mass incarceration, she experienced a revelation&#8230;. <a class=\"continue-reading-link\" href=\"https:\/\/occupysf.net\/index.php\/2020\/12\/30\/in-aggie-a-100-million-inspiration-to-shrink-the-carceral-state-through-art-and-activism\/\"> Continue reading <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/posts\/17005"}],"collection":[{"href":"https:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/comments?post=17005"}],"version-history":[{"count":2,"href":"https:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/posts\/17005\/revisions"}],"predecessor-version":[{"id":17007,"href":"https:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/posts\/17005\/revisions\/17007"}],"wp:attachment":[{"href":"https:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/media?parent=17005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/categories?post=17005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/occupysf.net\/index.php\/wp-json\/wp\/v2\/tags?post=17005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}