THE BURGHERS OF CALAIS

From Wikipedia, the free encyclopedia

The Burghers at the Metropolitan Museum of Art, New York

The Burghers of Calais (FrenchLes Bourgeois de Calais) is a sculpture by Auguste Rodin in twelve original castings and numerous copies. It commemorates an event during the Hundred Years’ War, when Calais, a French port on the English Channel, surrendered to the English after an eleven-month siege. The city commissioned Rodin to create the sculpture in 1884 and the work was completed in 1889.[1][2]

History

In 1346, England’s Edward III, after a victory in the Battle of Crécylaid siege to Calais, while Philip VI of France ordered the city to hold out at all costs. Philip failed to lift the siege, and starvation eventually forced the city to parley for surrender.[3]

The contemporary chronicler Jean Froissart (c. 1337 – c. 1405) tells a story of what happened next: Edward offered to spare the people of the city if six of its leaders would surrender themselves to him, presumably to be executed. Edward demanded they walk out wearing nooses around their necks, and carrying the keys to the city and castle. One of the wealthiest of the town leaders, Eustache de Saint Pierre, volunteered first, and five other burghers joined with him.[4] Saint Pierre led this envoy of volunteers to the city gates. It was this moment, and this poignant mix of defeat, heroic self-sacrifice, and willingness to face imminent death which Rodin captured in his sculpture, scaled somewhat larger than life.[5]

According to Froissart’s story, the burghers expected to be executed, but their lives were spared by the intervention of England’s queen, Philippa of Hainault, who persuaded her husband to exercise mercy by claiming their deaths would be a bad omen for her unborn child.[4]

More at: https://en.wikipedia.org/wiki/The_Burghers_of_Calais

Tagged . Bookmark the permalink.

Leave a Reply

Your email address will not be published. Required fields are marked *